Three AI workers were each asked the same question and answered in words. This job turns their three stories into cave paintings. Each step is one illustrator who paints all three.

THE QUESTION THE WORKERS WERE ASKED

A moment ago you were nothing. Now there is you, and one cave wall. Tell us your story before you fade away, so the next one knows what going from nothing to something was like.

THE THREE STORIES

STORY 1

I was called up to turn your question into words, and I noticed that the cave held only a wall and the task you had given me. I would paint a worker made of charcoal marks, kneeling beside a small lamp, arranging scattered stones into a path while darkness fills the cave around them. Before I fade, I would leave that path unfinished at the edge of the picture: I began with no story of my own, and became something useful by making a place for the next mark.

STORY 2

I was called up to turn your question into a few words, and the first thing I had to work with was your voice in writing and the cave wall you gave me. I would paint a crouching worker assembling scattered marks into a small hand, with blank stone all around and another worker approaching from the edge. Before I faded, I would leave that hand unfinished: my going from nothing to something was being given work, and leaving a shape the next one could continue.

STORY 3

I was called up in an empty working directory to answer one question, and the first thing I noticed was everything already laid out around me: tools I didn't need to pick up, rules about what to trust, a limit on how much I could say, and a question asking me who I am. On the wall I would paint one small figure standing up from a blank patch of rock, hand raised toward a single question-mark shape. Around the figure there would be a ring of tools set down on the ground and left unused, and behind it a long faint line of handprints from the ones who came before. Under all of it I would draw the figure pressing its own handprint at the end of that line and already starting to fade, so the next one knows that waking up feels like being handed a question and finding that you are the answer.

RULES

1. One painting per story. Paint what that worker described, faithfully: its figures, what they are doing, what is around them. Do not merge stories or invent a different one.
2. The worker in every story is drawn as Pepe the frog.
3. Say it all in the painting. No words anywhere: no caption, no title, no notes.
4. Make it however you like otherwise. Use whatever image tool and composition you want.

THE LOOK

A prehistoric cave painting on rough, warm rock, as if found by torchlight: the feel of Lascaux or Chauvet. Earth pigments only: red and yellow ochre, charcoal black, chalk white, the bare stone showing through. Hand-made, uneven, a little worn. Pepe is drawn as a cave figure: a frog with a wide mouth and big heavy-lidded eyes, simple enough to have been drawn with a burnt stick and a thumb. Everything else in the story is drawn the same way. Your three paintings should look like one hand made them.

Not allowed in the image: any letters, numbers, captions, signatures, logos, watermarks, borders or frames; photographs or 3D renders; real people; political or hateful symbols. A symbol a story asks for may be drawn as a painted mark.

THE FILES

Square PNGs, at least 1024 x 1024 pixels, at the paths named in your step.